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  1. Literary Taste: How to Form It/Chapter XIII
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  3. Distinctions that Matter : Popular Literature and Material Culture
  4. HOW TO FORM IT
  5. Book About Books

This impressive book tells a finely nuanced story that includes writers both familiar and largely forgotten. Although it will be of singular interest to scholars of late-nineteenth- and early-twentieth-century culture, Howard's broad social and cultural analysis offers fresh insight into key issues that occupy literary and cultural historians of any era. With rigor and originality, Howard explains how culture and commerce evolved together in a formative moment of American mass culture.

Literary Taste: How to Form It/Chapter XIII

She finds new points of entry into a remarkable range of questions, including how changing visions of the family have structured American identity, how the publishing industry's economic imperatives have shaped the form and content of fiction, and how gender differences have been encoded in models of authorship and publicity. Beautifully illustrated and written with unusual grace, Publishing the Family is a book that students of U.

Valuable not only for its impressive scholarship but also for its originality and insight, Publishing the Family is sure to occupy a prominent place in American literary and cultural studies. In the process, she uses the phenomenon of this collaboratively authored novel to subject our commonsense assumptions about literary creativity to searching scrutiny.

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Striving to do equal justice to historical particulars and the broad horizons of social change, Howard reconsiders such categories of analysis as authorship, genre, and periodization. In the process, she offers a new method for cultural studies and American studies at the beginning of the twenty-first century. Publishing the Family describes the sources and controversial outcome of a fascinating literary experiment.

Each chapter of Publishing the Family casts light on some aspect of life in the United States at a moment that arguably marked the beginning of our own era. Howard revises common views of the turn-of-the-century literary marketplace and discusses the perceived crisis in the family as well as the popular and expert discourses that emerged to remedy it. Publishing the Family will interest students and scholars of American history, literature, and culture, as well as those studying gender, sexuality, and the family.

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Distinctions that Matter : Popular Literature and Material Culture

Rare find — there's only 1 of these in stock. Item details Vintage from the s. First edition. Advice on how to collect and build a personal library, in a cloth binding with a lovely decorative cover, gilt top edge, and deckled edges. Good condition, though the spine has darkened. All books are shipped media mail, which normally arrives in of days. We also ship internationally.

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HOW TO FORM IT

Returns and exchanges accepted. Meet MullinandKnoxBooks. Camilla Pennsylvania, United States. Message the Seller. Reviews 5 out of 5 stars Sharon Nov 23, 5 out of 5 stars. Just like the pictures shown, thoughtful response from the shop owner, good quality, well packaged. The book was in beautiful condition and packaged nicely for shipping. So happy with my purchase!

Book About Books

Lucy Oct 15, 5 out of 5 stars. A beautiful book, as described! Packaged perfectly and shipped quickly, thank you! LeFoxx Sep 7, 5 out of 5 stars. Brodsky begins by contemplating how books address our mortality paradox and serve as assurance against the uncomfortable impermanence of existence :. In other words, this business deals with the future which we all prefer to regard as unending. On the whole, books are indeed less finite than ourselves.


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Even the worst among them outlast their authors — mainly because they occupy a smaller amount of physical space than those who penned them. Often they sit on the shelves absorbing dust long after the writer himself has turned into a handful of dust. So as we toss and turn these rectangular objects in our hands — those in octavo, in quarto, in duodecimo, etc.

The trouble with a reviewer is minimum threefold: A he can be a hack, and as ignorant as ourselves, B he can have strong predilections for a certain kind of writing, or simply be on the take with the publishing industry, and C if he is a writer of talent, he will turn his review-writing into an independent art form — Jorge Luis Borges is a case in point — and you may end up by reading reviews rather than the books themselves. In any case, you find yourselves adrift in the ocean, with pages and pages rustling in every direction, clinging to a raft of whose ability to stay afloat you are not so sure.

The alternative therefore would be to develop your own taste, to build your own compass, to familiarize yourself, as it were, with particular stars and constellations — dim or bright but always remote. This, however, takes a hell of a lot of time, and you may easily find yourself old and gray, heading for the exit with a lousy volume under your arm. Yet this too proves to be poor insurance, for the ocean of available literature swells and widens constantly. So what is one to do amidst this grim set of options? The way to develop good taste in literature is to read poetry.

If you think that I am speaking out of professional partisanship, that I am trying to advance my own guild interests, you are badly mistaken. For, being the supreme form of human locution, poetry is not only the most concise, the most condensed way of conveying the human experience; it also offers the highest possible standards for any linguistic operation — especially one on paper.